In the Studio: Postwar Abstract Painting Course Syllabus
Full curriculum breakdown — modules, lessons, estimated time, and outcomes.
Overview (80-120 words) describing structure and time commitment.
Module 1: Introduction
Estimated time: 3 hours
- Overview of the New York School and postwar abstract art movement
- Foundational painting techniques in abstract expressionism
- Studio demonstration: Canvas preparation
- Studio demonstration: Paint application methods
Module 2: Barnett Newman
Estimated time: 2 hours
- Exploration of Newman’s artistic philosophy and techniques
- Analysis of Onement I
- Study of Vir Heroicus Sublimis and the concept of the sublime
- Understanding color and division in Newman’s compositions
Module 3: Willem de Kooning
Estimated time: 3 hours
- Examination of de Kooning’s dynamic brushwork
- Study of Woman I and its place in abstract expressionism
- Discussion of figuration and abstraction in de Kooning’s work
- Studio techniques inspired by de Kooning’s approach
Module 4: Jackson Pollock
Estimated time: 3 hours
- Insight into Pollock’s drip painting method
- Analysis of One: Number 31
- Exploration of movement and gesture in Pollock’s process
- Studio demonstration: Creating a drip painting
Module 5: Mark Rothko
Estimated time: 2 hours
- Understanding Rothko’s color field paintings
- Exploring the emotional and spiritual impact of color
- Study of Rothko’s techniques and layering methods
Module 6: Agnes Martin
Estimated time: 2 hours
- Examination of Martin’s minimalist aesthetic
- Study of grids and subtle line work in her paintings
- Understanding the meditative quality of Martin’s art
Module 7: Ad Reinhardt
Estimated time: 2 hours
- Analysis of Reinhardt’s monochromatic black paintings
- Exploration of philosophical and conceptual underpinnings
- Distinguishing variations in seemingly uniform black canvases
Module 8: Yayoi Kusama
Estimated time: 3 hours
- Study of Kusama’s repetitive patterns and motifs
- Exploration of infinity and obsession in her work
- Studio techniques inspired by Kusama’s visual language
Module 9: Final Project
Estimated time: 4 hours
- Create an original abstract painting inspired by studied artists
- Submit a visual analysis essay on a chosen artwork
- Reflect on personal artistic development throughout the course
Prerequisites
- Basic interest in modern art or painting
- No prior art experience required
- Access to simple art materials (canvas, paint, brushes) recommended
What You'll Be Able to Do After
- Understand the materials and techniques of major postwar abstract painters
- Analyze abstract artworks with greater depth and context
- Apply studio practices of influential artists to personal projects
- Appreciate the cultural and historical significance of postwar abstraction
- Create original abstract artworks using methods from the New York School