In the Studio: Postwar Abstract Painting Course Syllabus

Full curriculum breakdown — modules, lessons, estimated time, and outcomes.

Overview (80-120 words) describing structure and time commitment.

Module 1: Introduction

Estimated time: 3 hours

  • Overview of the New York School and postwar abstract art movement
  • Foundational painting techniques in abstract expressionism
  • Studio demonstration: Canvas preparation
  • Studio demonstration: Paint application methods

Module 2: Barnett Newman

Estimated time: 2 hours

  • Exploration of Newman’s artistic philosophy and techniques
  • Analysis of Onement I
  • Study of Vir Heroicus Sublimis and the concept of the sublime
  • Understanding color and division in Newman’s compositions

Module 3: Willem de Kooning

Estimated time: 3 hours

  • Examination of de Kooning’s dynamic brushwork
  • Study of Woman I and its place in abstract expressionism
  • Discussion of figuration and abstraction in de Kooning’s work
  • Studio techniques inspired by de Kooning’s approach

Module 4: Jackson Pollock

Estimated time: 3 hours

  • Insight into Pollock’s drip painting method
  • Analysis of One: Number 31
  • Exploration of movement and gesture in Pollock’s process
  • Studio demonstration: Creating a drip painting

Module 5: Mark Rothko

Estimated time: 2 hours

  • Understanding Rothko’s color field paintings
  • Exploring the emotional and spiritual impact of color
  • Study of Rothko’s techniques and layering methods

Module 6: Agnes Martin

Estimated time: 2 hours

  • Examination of Martin’s minimalist aesthetic
  • Study of grids and subtle line work in her paintings
  • Understanding the meditative quality of Martin’s art

Module 7: Ad Reinhardt

Estimated time: 2 hours

  • Analysis of Reinhardt’s monochromatic black paintings
  • Exploration of philosophical and conceptual underpinnings
  • Distinguishing variations in seemingly uniform black canvases

Module 8: Yayoi Kusama

Estimated time: 3 hours

  • Study of Kusama’s repetitive patterns and motifs
  • Exploration of infinity and obsession in her work
  • Studio techniques inspired by Kusama’s visual language

Module 9: Final Project

Estimated time: 4 hours

  • Create an original abstract painting inspired by studied artists
  • Submit a visual analysis essay on a chosen artwork
  • Reflect on personal artistic development throughout the course

Prerequisites

  • Basic interest in modern art or painting
  • No prior art experience required
  • Access to simple art materials (canvas, paint, brushes) recommended

What You'll Be Able to Do After

  • Understand the materials and techniques of major postwar abstract painters
  • Analyze abstract artworks with greater depth and context
  • Apply studio practices of influential artists to personal projects
  • Appreciate the cultural and historical significance of postwar abstraction
  • Create original abstract artworks using methods from the New York School
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